After graduating with BSc (Hons) in Psychology from the University of Manchester, Emma-Jane founded professional hip hop theatre company, Body Politic.
As Artistic Director, Emma-Jane Greig works collaboratively with creatives to approach taboo socio-politic subject matter with an authentic flair for integrating narrative with Hip Hop movement. Emma-Jane and Body Politic as a result have been selected by Oxford Dance Forum (ODF) for their 3-year producer support programme, to receive in-kind support to galvanize national partnerships. Alongside, this Emma-Jane was also selected to become an associates artist at Swindon Dance (2020-2022), the only regional dance agency to house an Urban CAT scheme for aspiring young Hip Hop artists.
In 2019, Body Politic’s first full-length Hip Hop theatre work ‘Father Figurine’ embarked on a National tour, touring to 10 venues across the UK including Stephen Joseph Theatre in Scarborough, Theatre Royal in Norwich and the
Every time we read a depressing news story about some animal killing their own kid, some sick person keeping a girl hostage for years, some piece of crap swindling people’s hard-earned retirement, we get a little more skeptical, a little colder and to a large extent, a little less “human.”
It’s not our fault; these events unfortunately and indelibly add themselves to the tapestry that is our lives and take their place amongst other experiences to then determine how we perceive any given situation. So if you spend a lifetime witnessing positive things, you will most likely have a positive perspective. If you are subjected to continuous negative reference, you will inevitably have a darker perspective. We all live between those two extremes, within the shades that exist between light and darkness.
Most of us reading this list have pretty much everything going for them and we should actually be
1. Introduction and Summary 2. The Concept of Field 3. Reality and the Intentional Field 4. Freedom and Intentional Humanism 5. Perceiving Another 6. Intentions, Attitudes, and Interests 7. Perceiving and Behaving 8. Behavior 9. Social Behavior and Interaction 10. Types of Social Interaction 11. The Equation of Social Behavior 12. The Transition to a Sociocultural Field 13. The Sociocultural Space 14. The Field of Social Forces 15. The Sociocultural Field 16. Distances 17. Status Distance 18. Status Distance and Behavior 19. The Fundamental Nature of Power 20. Social Power 21. The Family of Power 22. Social Fields and Antifields 23. Groups and Antifields 24. Class 25. Social Class And the Class-Literature 26. Conflict 27. Conflict in the Sociocultural Field 28. The Elements of Social Conflict 29. The Process of Conflict 30. Social Fields and Types of Societies 31. The
As the Coronavirus takes a growing toll on people’s pocketbooks, there are reports that the government will soon be sending money by check or direct deposit to each of us. The details are still being worked out, but there are a few really important things to know, no matter what this looks like.
1. The government will not ask you to pay anything up front to get this money. No fees. No charges. No nothing.
2. The government will not call to ask for your Social Security number, bank account, or credit card number. Anyone who does is a scammer.
3. These reports of checks aren’t yet a reality. Anyone who tells you they can get you the money now is a scammer.
Look, normally we’d wait to know what the payment plan looks like before we put out a message like this. But these aren’t normal times. And we
220px The Body Politic (Issue 1, Nov-Dec 1971, Toronto)
Pink Triangle Press
November 1, 1975
The Body Politic was a Canadian monthly magazine, which was published from 1971 to 1987. It was one of Canada’s first significant gay publications, and played a prominent role in the development of the LGBT community in Canada.
The magazine was first published on November 1, 1971 by an informal collective, operating out of the home of Glad Day Bookshop owner Jearld Moldenhauer. Many members of the collective had been associated with the underground publication Guerilla, which had been relatively gay-friendly but alienated some of its LGBT contributors when it altered Moldenhauer’s article about the We Demand protest of August 28, 1971. At a September meeting of the
Ecosystems and the benefits they provide to society are being altered by climate change, and these impacts are projected to continue. Without substantial and sustained reductions in global greenhouse gas emissions, transformative impacts on some ecosystems will occur; some coral reef and sea ice ecosystems are already experiencing such transformational changes.
Many benefits provided by ecosystems and the environment, such as clean air and water, protection from coastal flooding, wood and fiber, crop pollination, hunting and fishing, tourism, cultural identities, and more will continue to be degraded by the impacts of climate change. Increasing wildfire frequency, changes in insect and disease outbreaks, and other stressors are expected to decrease the ability of U.S. forests to support economic activity, recreation, and subsistence activities. Climate change has already had observable impacts on biodiversity, ecosystems, and the benefits they provide to society. These impacts include the migration of native species to new areas
WARNING: The first two paragraphs spoil arguably the two biggest plot twists in Game of Thrones. Also, winter is coming.
Fantastical as it is, George R.R. Martin’s Game of Thrones, and the HBO series which has launched it into mainstream pop culture, is rooted firmly in the personal and political experiences of life. Martin is famous for holding no character above the world’s cruelties, and showrunners David Benioff and D.B. Weiss have remained loyal to the creed. Beheading the show’s ostensible lead and moral anchor, Lord Eddard Stark (played by Sean Bean), in the first season’s penultimate episode should be proof enough of that.
But Martin, Benioff, and Weiss resist the next cliché as well: Lord Stark’s firstborn son and heir, Robb, far from avenging his father’s death, is himself assassinated in even grislier fashion, along with his mother and his wife and unborn child. This scene, aptly referred